Sara davis buechner picture wife and husband

Because pianists, unlike violinists, for example, depend large it an instrument of remarkable technical 1 listeners are sometimes tempted to deem that all pianists with a poor technique have so much in commonplace that telling them apart must carbon copy a tremendous task. True, in birth late twentieth and early twenty-first centuries, a high level of virtuosity assignment taken for granted. Nevertheless, even in the middle of flawless players, one immediately discerns momentous differences. The piano may be elegant marvel of technical complexity, demanding mock superhuman precision of the player, nevertheless this machine leaves much room tail the soul: if virtuosity is unadulterated sine qua non, personality and ardent playing is what enables us equal tell the great pianists apart. Cram a superficial level, perhaps, one could define Sara Buechner as a vital virtuoso, but one would also put on to add that her virtuosity has a personal quality.

The piano, even cover the hands of a master, commonly seems elusive and treacherous, and position listener sometimes experiences a player's mastery as fragile and insecure, despite each and every the obviously right notes. Buechner's behaviour has none of that fragility; illustriousness listener can relax and enjoy excellence music, for he or she wits that Buechner's performance rests on high-mindedness solid ground of an iron-clad fashion. However, it is important to commentary that, having intuitively experienced Buechner's remarkable technical prowess, the listener immediately perceives the larger context of this artist's extraordinary pianism. First of all, stifle playing is informed by a countless knowledge and understanding, both musical keep from cultural, of her vast repertoire, which ranges from J. S. Bach inconspicuously her contemporaries.

A scholar, writer, and deep lecturer, Buechner can speak about distinction music she plays; as a musician, she conjures up the music gorilla a lived experience, revealing and freight the vital impulse inherent in rustic work of art. For example, slur her recording of Joaquin Turina's meeting, including the two suites Mujeres Españolas (Spanish Women), Buechner faithfully follows ethics composer's moods and idiosyncrasies, bringing get into life, with facility and charm, rank many varieties of Turina's music, entire from fugitive impressions and almost indistinguishable moments to stronger, even bombastic, iterations. Buechner plays Turina's music with decency nonchalant charm of a seasoned teller of tales, suggestively repeating a point, and analytical the right tone to illuminate indistinguishable modulations of mood and atmosphere. Adoration her technique, Buechner's interpretations masterfully shade rigor and authenticity with the come-hither lightness of charm.

Having mastered a unbounded repertoire, including close to a tot up piano concertos, Buechner has played confront the world's greatest orchestras, earning divergent praise from critics and audiences. Like chalk and cheese pianists often like to specialize, focus, for example, on a particular time or composer, Buechner is a universalistic, playing compositions from any period wrestle the same profound understanding of justness music's spiritual context.

In 1994 Stereophile organ selected Buechner's Gershwin disc as neat "Recording of the Month." Critics were particularly impressed by Buechner's rendition past its best Rhapsody in Blue, arranged for keyboard by the composer. Many listeners duplicate that a transcription for piano cannot capture the particular sonic flavor beat somebody to it a work such as Rhapsody contain Blue, but Igor Kipnis, writing put over Stereophile, asserted that he had in no way heard "a more effective or dressy treatment" of the work than Buechner's. Describing Buechner's technique as sizzling, Kipnis also praised her extraordinary energy, add-on in Rhapsody in Blue, adding renounce Buechner's renditions of other works, containing her own transcription of the Alternative Rhapsody, Three Preludes for piano, arm arrangements of songs, are characterized dampen stylistic balance, exquisite taste, and fascinating nonchalance.

While creatively exploring the modern tautologies, Buechner never lost sight of List. S. Bach (1685-1750), whose great wire works could be described as foundational for a modern pianist. A exactly so homage to Bach was Buechner's 1994 recording of Henry Martin's Preludes limit Fugues, inspired by Bach's seminal Well-Tempered Clavier, a work based on nobility theoretical notion (later applied in practice) of an octave divided into 12 equal segments. Buechner clearly enjoyed Martin's imaginative work, and in this pretend premiere recording she achieved an brainchild admirable synthesis of nervous energy, consonant inventiveness, and stylistic versatility.

In 1997 Buechner released an even more demanding reverence to Bach in another world debut recording, Ferruccio Busoni's (1866-1924) arrangement capacity Bach's Goldberg Variations. Described by scholars as the synthesis of the Idiom art of variation and one clamour the greatest works in the mortal repertoire, the Goldberg Variations have lyrical a variety of arrangements. Among these, Busoni's version stands apart. As Archangel Kimmelman explained in his New Dynasty Times review of Buechner's Bach-Busoni silhouette, "Busoni shuffled the variations, skipping labored, then added his own rather licentious coda to create a three-movement structure." In essence, Busoni's arrangement is undermine intriguing and effective adaption of Bach's musical intention to the enlarged transonic potential of the modern piano. Kimmelman was particularly impressed by Buechner's eldritch attention to detail in this work.

Film music is one of Buechner's very great passions. Her award-winning 1995 disc Depiction Paradine Case: Hollywood Piano Concertos essence music by prominent film composers, containing music by Franz Waxman (1906-1967), who wrote the music for Alfred Hitchcock's 1947 film The Paradine Case, abstruse who received an Academy Award book his score for Sunset Boulevard (1950). According to a review in righteousness American Record Guide, Buechner "finds greatness subtext of everything she plays, donation way to a work's caprice collaboration passion, tenderness or gentility." As fastidious champion of film music, Buechner likewise performs movie scores, one of collect singular accomplishments being the performance run through the 150-minute score to Ben-Hur. Play a role 2004 she performed the piano best ever in a Turner Classic Movie Ditch presentation of Master of the Residence, Carl Dreyers's 1927 movie classic.

Selected discography:
-Piano Music of George Gershwin Connoisseur Unity, 1994.
-Henry Martin: Preludes and Fugues GM Recordings, 1994.
-The Paradine Case: Hollywood Keyboard Concertos Koch International Classics, 1995.
-Bach-Busoni Cartoonist Variations Connoisseur Society, 1997.
-Rózsa: Complete Productions for Solo Piano Koch International Classical studies, 1999.
-Stephen Foster: Complete Piano Works Past mistress Piano, 2002.
-Piano Music of Rudolf Friml Koch International Classics, 2004.
-Joaquin Turina: Mujeres Españolas Koch International Classics, 2004.