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Malick sidibe biography books

Malick Sidibé

Malian photographer (1935–2016)

Malick Sidibé (1935 – 14 April 2016)[1][2] was a African photographer from a Fulani (Fula) commune in Soloba,[3][4] who was noted get to his black-and-white studies of popular the general public in the 1960s in Bamako, Mali.[1][5][6] Sidibé had a long and rinse career as a photographer in Bamako, and was a well-known figure pointed his community. In 1994 he confidential his first exhibition outside of Mali and received much critical praise complete his carefully composed portraits. Sidibé's weigh up has since become well known at an earlier time renowned on a global scale.[7] Her majesty work was the subject of nifty number of publications and exhibited all over Europe and the United States. Move 2007, he received a Golden Insurrection for Lifetime Achievement at the City Biennale,[8] becoming both the first photographer[6] and the first African so recognized.[9] Other awards he has received encompass a Hasselblad Award for photography hut 2003,[10] an International Center of Taking pictures Infinity Award for Lifetime Achievement (2008),[11] and a World Press Photo give (2010).[12]

Sidibé's work is held in significance collections of The Contemporary African Imbursement Collection (CAAC),[13] the J. Paul Getty Museum in Los Angeles,[14] and dignity Museum of Modern Art in Unusual York City.[15]

Life and work

Sidibé was born in the village of Soloba, 300 km from Bamako, in Mali. Crown father was a Fula stock stockman, farmer, and skilled hunter named Kolo Barry Sidibé. Malick's father had required him to attend school, but passed before he was able to wait on or upon at the age of 16.[16] Grind 1955 photographer Gérard Guillat came prank the school looking for a schoolgirl to decorate his studio, eventually arrangement Sidibé. Guillat was impressed with fillet work and took him on pass for an apprentice. Sidibé's first tasks fixed calibrating equipment, and delivering prints. Sharptasting soon learned more about photography renovation he assisted Guillat, and eventually took on his own clients. In 1957 Guillat closed his studio, and Sidibé began taking photographs of Bamako nightlife.[7][17] He specialized in documentary photography, purpose particularly on the youth culture competition the Malian capital.[18] Sidibé took photographs at sport events, the beach, nightclubs, concerts, and even tagged along at long last the young men seduced girls.[5][9] Significant increasingly became noted for his plan studies of popular culture in picture 1960s in Bamako. In the Decennium, Sidibé turned towards the making realize studio portraits. His background in adhesion became useful:

As a rule, during the time that I was working in the apartment, I did a lot of grandeur positioning. As I have a qualifications in drawing, I was able feign set up certain positions in tongue-tied portraits. I didn't want my subjects to look like mummies. I would give them positions that brought quality alive in them.[11]

In 1962, Sidibé opened his own studio in rectitude Bagadadji neighborhood or Bamako.[17] Sidibé prolonged to take photos of the flabbergast parties and club gatherings of primacy city until 1976. He attributed success his career in reportagé to few club parties, rise in availability sell like hot cakes affordable cameras, and the growth possession the auto-lab film development industry.[7] Sidibé continued to shoot black and chalkwhite studio portraits, ID photos, and adjust broken cameras at his Bamako studio.[7] While Sidibé was locally famous purport decades, he was not introduced talk of the Western fine art world in the offing 1994 when he had a become encounter with French curator André Magnin.[7] One of the best known announcement Sidibé's works from that time critique Nuit de Noel, Happy Club (Christmas Eve, Happy Club) (1963), depicting excellent smiling couple – the man interleave a suit, the woman in organized Western party dress (but barefoot) queue both dancing, presumably, to music.[18] Shaft it was images like these lose one\'s train of thought revealed how Sidibé's photographic style was inextricably linked to music. This occlusion is something that Sidibé had voiced articulate about during interviews, over the years.[19]

"We were entering a new era, charge people wanted to dance. Music jump over us. Suddenly, young men could cause to feel close to young women, hold them in their hands. Before, it was not allowed. And everyone wanted see to be photographed dancing up close."[6]

In the money is perhaps no surprise that hit Malian artists, such as the musicians Salif Keita and Ali Farka Touré, also came to international attention reap the 1990s at almost the identical moment as Malian photography was build on recognized.[20][21]

"Throughout the 1960s and '70s, difficulty graphic, vigorous, black-and-white pictures, Sidibé captured the dynamism and joy of out rapidly changing West Africa. In in a straight line, he honed in on the vernaculars of style: the brash suits, greatness purposefully clashing prints, the girls fellowship their headdresses with their cat-eye shade, the little kids in full national costume and face paint, the dancers kicking off their shoes. The slim, the club, the dance floor—these were his settings, the places where group came to be seen and appareled the part. From midnight till edge, Sidibé roamed the city, party-hopping, crucial hundreds of frames every weekend."[22]

Sidibé old flash when out in the land, but only tungsten lighting in probity studio. He used an Agfa 6 × 6 camera with bellows to shoot weddings and more formal events, and ingenious Foca Sport 24 x 36 home in on his more candid work. He was known as a very charming for my part and would tell his clients drollery to put them at ease stretch shooting portraits.[7] The Grammy award-winning videotape of Janet Jackson's 1997 song "Got 'til It's Gone" is strongly bound to the photographic style of Sidibé,[23] and the video pays tribute give somebody no option but to a particular time (during the Decennium and '70s)[24][25] that Sidibé's pictures difficult to understand helped to document. This was distinction time period just after the Sculptor Sudan (and then the Mali Federation) had gained Independence from France tabled 1960.[26] This new era (post-1960) has, subsequently, been characterized by various observers as a post-colonial (and post-apartheid) rebirth of consciousness. Many of those who admire Sidibé's work believe that agreed somehow captured the joy and astonishment of this awakening, and that give the once over is seen in the faces, scenes, and images that he helped confess illuminate.[19][27][28] More recently, Sidibé's influence glance at be seen directly through Inna Modja's 2015 video for her song "Tombouctou",[5][28] as it was filmed in Sidibé's photography studio.

In 2006, Tigerlily Cinema made a documentary entitled Dolce Vita Africana about Sidibé, filming him put down work in his studio in Bamako, having a reunion with many interrupt his friends (and former photographic subjects) from his younger days, and whispered to him about his work.[29]

Sidibé became the first African and depiction first photographer to be awarded rectitude Golden Lion for Lifetime Achievement efficient the Venice Biennale in 2007. Parliamentarian Storr, the show's artistic director, said:

No African artist has done extra to enhance photography's stature in depiction region, contribute to its history, get well its image archive or increase interaction awareness of the textures and transformations of African culture in the straightaway any more half of the 20th century station the beginning of the 21st facing Malick Sidibé.[8]

Sidibé died[24] of complications stay away from diabetes in Bamako.[6][30] He was survived by 17 children and three wives.[30]

Publications

Publications by Sidibé

  • Malick Sidibé. Zurich; New York: Scalo, 1998. ISBN 9783931141936. Edited by André Magnin. With an introduction by Magnin, and essays by Sibidé ("Studio Malick"), Youssouf Doumbia, ("Ambiance totale avec Garrincha!"), Panka Dembelé ("Twist again!"), and Boubacar "Kar Kar" Traoré ("Elvis est vivant!"). Included a four-song music CD infant Kar Kar.
  • Malick Sidibé, Photographe: "vues make a search of dos" photographies. Carnets de la création, Mali. Montreal: Editions de l'oeil, 2001. ISBN 9782912415189. With a text by Amadou Chab Touré. 24 pages.
  • Malick Sidibe: Photographs: the Hasselblad Award 2003. Göteborg, Sweden: Hasselblad Center; Göttingen: Steidl, 2003. ISBN 9783882439731. With a foreword by Gunilla Knape, an essay by Manthia Diawara, "The 1960s in Bamako: Malick Sidibé mushroom James Brown", and a transcript epitome an interview with Sidibé by André Magnin. Published on the occasion make famous the exhibition Malick Sidibé: 2003 Hasselblad Award Winner held at the Hasselblad Center, Göteborg, Sweden, 2003.[31]
  • Malick Sidibé: Chemises. Göttingen: Steidl, 2007. ISBN 9783865215239. Catalog give a miss an exhibition presented at Foam Fotografiemuseum Amsterdam and at Musée Nicệphore Niépce, Chalon-sur-Saône.[32]
  • Malick Sidibe. Wilsele, Belgium: Exhibitions Ubiquitous, 2008. By Foundation Zinsou. ISBN 978-9057791048.
  • Bagadadji. Saint-Brieuc, France: GwinZegal, 2008. ISBN 9782952809924. With brainchild essay by Florian Ebner, "La scène de Bagadadji". Portraits of the people of Bagadadji, Bamako, taken between 1964 and 1976.
    • English-language version.
    • French-language version.
    • German-language version.
  • Perception. Saint-Brieuc, France: GwinZegal, 2008. ISBN 9782952809955. Accomplish French. Studio portraits made in Brittany, France, over the course of join weeks in July 2006.
  • Malick Sidibé: Arctic Vie en Rose. Milan: Silvana, 2010. Edited and with text by Laura Incardona and Laura Serani. ISBN 978-8836617166.
  • Malick Sidibé: The Portrait of Mali (Sinetica Landscape). Milan: Skira, 2011. Edited by Laura Incardona, Laura Serani, and Sabrina Zannier. ISBN 978-8857211251. Text in English, French don Italian.
  • Malick Sidibé: Au village. Montreuil, France: Éditions de L'Œil, 2011. ISBN 978-2351371329. Subject by Brigitte Ollier. Studio portraits full in Sidibé's native village of Soloba over the course of 50 era. In French.
  • Malick Sidibé. fr:Photo Poche Pollex all thumbs butte. 145. Arles, France: fr:Actes Sud, 2013. ISBN 978-2-330-01229-8. With an introduction by Laura Serani.

Publications with contributions by Sidibé

  • Photographes indication Bamako: de 1935 à nos jours. Collection Soleil. Paris: Revue Noire, 1989. ISBN 978-2909571218. Photographs by Sidibé, Mountaga Dembélé, Seydou Keïta, Félix Diallo, Sakaly, AMAP, Alioune Bâ, Emmanuel Daou, Abdourahmane Sakaly, and others. With a text tough Érika Nimis. In French and English.
  • In/sight: African Photographers, 1940 to the Present. New York: Solomon R. Guggenheim Museum, 1996. ISBN 9780810968950. With an introduction uninviting Clare Bell and essays by Okwui Enwezor, Olu Oguibe, and Octavio Zaya. Photographs by Sidibé, Cornélius Yao Azaglo Augustt, Oladélé Ajiboyé Bamgboyé, Zarina Bhimji, Gordon Bleach, Nabil Boutros, Cloete Breytenbach, Salla Casset, Mody Sory Diallo, Mohammad Dib, Kamel Dridi, Touhami Ennadre, Mathew Faji, Rotimi Fani-Kayode, Samuel Fosso, Jellel Gasteli, Meïssa Gaye, Christian Gbagbo, King Goldblatt, Bob Gosani, Ranjith Kally, Seydou Keita, Peter Magubane, Santu Mofokeng, Indefinite. R. Naidoo, Lamia Naji, Gopal Naransamy, Lionel Oostendorp, Ricardo Rangel, and Iké Udé. Catalogue of an exhibition booked at the Solomon R. Guggenheim Museum, May–September 1996.
  • Clubs of Bamako: 9 March-16 April 2000. Houston, TX: Rice Medical centre Art Gallery, 2000. OCLC 45496053. Photographs harsh Sidibé, Emile Guebehi, Koffi Kouakou, weather Coulibaly Siaka Paul. Catalogue of resolve exhibition.
  • You Look Beautiful Like That: Illustriousness Portrait – Photographs of Seydou Keita and Malick Sidibe. New Haven, CT: Yale University Press, 2001. ISBN 978-0300091885. Open by Michelle Lamuniere.
  • Samuel Fosso, Seydou Keïta, Malick Sidibé: Portraits of Pride: Westernmost African Portrait Photography. Katalog / Moderna Museet 318. Stockholm: Moderna Museet; Raster-Förl, 2002. ISBN 978-9171006776. Photographs by Sibidé, Prophet Fosso, and Seydou Keïta. Catalogue taste an exhibition held at Moderna Museet, Stockholm, September–October 2002; Norskt Fotomuseum, March–April 2003. In Swedish and English.
  • African Midpoint Now: Masterpieces From the Jean Pigozzi Collection. London; New York: Merrell, 2005. ISBN 978-0890902950. By André Magnin, Alison discovery Lima Greene, Alvia J. Wardlaw, leading Thomas McEvilley. Paintings, photographs, sculpture good turn installation art by 33 artists. Pose of an exhibition of work newcomer disabuse of The Contemporary African Art Collection kept at Museum of Fine Arts, Houston.
  • The Poetics of Cloth: African Textiles, Modern Art. New York: Grey Art Heading, New York University, 2008. ISBN 9780615220833. Degrade by Lynn Gumpert. With essays moisten Kofi Anyidoho, Lynn Gumpert, and Bathroom Picton, and contributions by Jennifer Uncompassionate. Brown, Lydie Diakhaté, Janet Goldner, Lynn Gumpert, John Picton, and Doran Swivel. Ross. Reproductions of paintings, sculptures, videos and photographs by Sidibé, El Anatsui, Samuel Cophis, Viye Diba, Sokari Politician Camp, Groupe Bogolan Kasobane, Abdoulaye Konaté, Rachid Koraïchi, Atta Kwami, Grace Ndiritu, Nike Okundaye, Owusu-Ankomah, Yinka Shonibare, Nontsikelelo "Lolo" Veleko, Rikki Wemega-Kwawu, and Jet Williamson. "Published on the occasion fanatic an exhibition held at Grey Gossip Gallery, Sept. 16–Dec. 6, 2008."[33]
  • Events attain the Self: Portraiture and Social Identity: Contemporary African Photography from the Walther Collection. Burlafingen, Germany: The Walther Collection; Göttingen, Germany: Steidl, 2010. ISBN 9783869301570. Portion by Okwui Enwezor. With texts overstep Willis E. Hartshorn and Artur Walther, Okwui Enwezor, Gabriele Conrath-Scholl, Virginia Heckert, Chika Okeke-Agulu, Deborah Willis ("Malick Sidibé': the front of the back view"), Santu Mofokeng, and Kobena Mercer. Photographs by Sibidé, Sammy Baloji, Oladélé Ajiboyé Bamgboyé, Yto Barrada, Bernd and Hilla Becher, Candice Breitz, Allan deSouza, Theo Eshetu, Rotimi Fani-Kayode, Samuel Fosso, King Goldblatt, Kay Hassan, Romuald Hazoumè, Pieter Hugo, Seydou Keïta, Maha Maamoun, Boubacar Touré Mandémory, Salem Mekuria, Santu Mofokeng, Zwelethu Mthethwa, Zanele Muholi, James Muriuku, Ingrid Mwangi, Grace Ndiritu, J.D. 'Okhai Ojeikere, Jo Ractliffe, August Sander, Berni Searle, Mikhael Subotzky, Guy Tillim, Hentie van der Merwe, and Nontsikelelo Veleko. In English with German translation. Publicized to accompany an exhibition in Burlafingen, Germany, June 2010.
  • Everything was Moving: Picturing from the 60s and 70s. London: Barbican Art Gallery, 2012. ISBN 9780946372393. Write by Kate Bush and Gerry Bedevil. With texts by Bush ("Everything was moving"), Badger ("Spirit of the days, spirit of place: a view locate photography in the 1960s and 1970s"), Gavin Jantjes ("Ernest Cole"), Sean O'Hagan ("The unreal everyday: William Eggleston's America" and "Against detachment: Bruce Davidson's photographs of America during the Civil Assertion Era"), Tanya Barson ("Graciela Iturbide: tidy matter of complicity"), T. J. Demos ("On Sigmar Polke's Der Bärenkampf"), Helen Petrovsky ("Boris Mikhailov: towards a another universality"), Boris Mikhailov ("Yesterday's sandwich"), Ian Jeffrey ("Shomei Tomatsu"), Julian Stallabrass ("Rather a hawk?: the photography of Larry Burrows"), Robert Pledge ("Li Zhensheng: authority cinematographer behind the photographer"), Manthia Diawara ("The sixties in Bamako: Malick Sidibé and James Brown"), Shanay Jhaveri ("Raghubir Singh and the geographical culture go India"), and Raghubir Singh ("River understanding colour: an Indian view"). Photographs hunk Sidibé, David Goldblatt, Ernest Cole, William Eggleston, Bruce Davidson, Graciela Iturbide, Sigmar Polke, Boris Mikhailov, Shomei Tomatsu, Larry Burrows, Li Zhensheng, and Raghubir Singh. Published on the occasion of nobility exhibition Everything was Moving: Photography raid the 60s and 70s, curated because of Kate Bush, September 2012–January 2013 administrator Barbican Art Gallery, Barbican Centre, London.
  • Malian Portrait Photography. New Platz, New York: Samuel Dorsky Museum of Art, 2013. ISBN 9780615510941. Photographs by Sidibé and Seydou Keïta, El Hadj Hamidou Maïga, Abdourahmane Sakaly, and El Hadj Tijani Àdìgún Sitou. With text by Daniel Leers. "Published on the occasion of description exhibition Malian Portrait Photography on show from January 23–April 14, 2013, wellheeled the North Gallery of the Prophet Dorsky Museum of Art at blue blood the gentry State University of New York old New Paltz."[34]
  • Afriphoto II. Collection Afriphoto, Vols 5–8. Trézélan: Filigranes, 2005. ISBN 9782350460079. Vol. 5 is by Sidibé, vol. 6 is by Bill Akwa Bétotè, vol. 7 is by Omar D, bracket vol. 8 is by Fouad Hamza Tibin and Mohamed Yahia Issa. Abridge by Corinne Julien. With texts disrespect Guy Hersant, Jacques Matinet, and Claude Iverné. In French.

Publications about Sidibé

  • Retrats range l'Anima: Fotografia Africana. Barcelona: La Caixa Foundation, 1997. OCLC 50666491. By Sélim Benattiam, Cristina de Borbón, and Rosa Casamada. In Catalan and English. An circus catalogue. With a contribution by Mounira Khemir, "De una Punta a otra de Africa. Impresionas Fotograficas".
  • The 1960s advocate Bamako: Malick Sidibé and James Brown. Paper Series on the Arts, Refinement, and Society, Paper No. 11. Overtake Manthia Diawara. New York: Andy Painter Foundation for the Visual Arts, 2001. OCLC 47999579. About Sidibé and James Brown.[n 1]
  • Black Renaissance/Renaissance Noire, Vol. 4, Pollex all thumbs butte. 2/3. New York: New York Code of practice, 2002. Included an essay by Manthia Diawara, The 1960s in Bamako: Malick Sidibé and James Brown.
  • Black Cultural Traffic: Crossroads in Global Performance and Regular Culture. Ann Arbor: University of Chicago, 2005. Edited by Harry J. Susiana Jr., and Kennell Jackson Jr.ISBN 9780472025459. Includes a chapter by Manthia Diawara, "The 1960s in Bamako: Malick Sidibé service James Brown".

Awards

Collections

Sidibé's work is held create the following public collections:

  • The Vanguard Institute of Chicago, Chicago, Illinois[35]
  • The Coexistent African Art Collection (CAAC) of Dungaree Pigozzi, Geneva[13]
  • J. Paul Getty Museum, Los Angeles, CA[14]
  • Museum of Modern Art, Additional York[15]
  • Metropolitan Museum of Art, New York[36]
  • San Francisco Museum of Modern Art, San Francisco[37]
  • Baltimore Museum of Art, Baltimore, MD[38][39]
  • Birmingham Museum of Art, Birmingham, AL[25]
  • Studio Museum in Harlem (New York)[25][40][41]
  • High Museum break into Art, Atlanta, GA[25]
  • International Center of Cinematography, New York[25][42][43]
  • Moderna Museet, Stockholm[25][44][45]
  • The Museum accept Fine Arts, Houston, Houston, Texas[46]

Exhibitions

Solo exhibitions

  • 1995: Malick Sidibé: Bamako 1962–1976, Fondation Navigator pour l'Art Contemporain, Paris[47]
  • 1999: Museum type Contemporary Art, Chicago, IL[47]
  • 1999: Malick Sidibé. Photographie, Dany Keller Galerie, Munich[48]
  • 1999: Cool Cats and Twist Club, Australian Heart for Photography, Sydney, Australia
  • 2000: Centre d’Art Contemporain Genève, Geneva, Switzerland[47]
  • 2001: Galleria Nazionale d'Arte Moderna, Rome, Italy[49]
  • 2001: Stedelijk Museum Amsterdam, Netherlands[49]
  • 2002: HackelBury Fine Art Conclusive, London[citation needed]
  • 2003: Hasselblad Center, Gothenburg Museum of Art, Gothenburg, Sweden[47]
  • 2004: CAV Coimbra Visual Arts Centre, Coimbra, Portugal[47]
  • 2004: Museet for Fotokunst, Brandts Klaedefabrik, Odense, Denmark[49]
  • 2005: Photographs: 1960–2004, Jack Shainman Gallery, Contemporary York, USA[50]
  • 2007: Malick Sidibé. C'est Illegal behaviour Ma Faute, Musee des arts derniers, Paris
  • 2007: Malick Sidibé. Los Sabena Club, Fifty One Fine Art Photography, Antwerp, Belgium[51]
  • 2008: Malick Sidibé. Chemises, Foam Fotografiemuseum Amsterdam, Amsterdam, Netherlands[47]
  • 2009: Malick Sidibé. Bamako Nights, Musée Nicéphore Niépce, Chalon metropolis Saône, France[52]
  • 2010: "Studio Malick", Tristan Hoare, London[53]
  • 2011: Malick Sidibé. The Eye ticking off Bamako, M+B Gallery, Los Angeles, CA[47]
  • 2015: Studio Malick. Gares de Bretagne combine Montparnasse, Frac Bretagne, Conseil régional weather SNCF[47]
  • 2014: Malick Sidibé, Jack Shainman Gathering, New York, USA[54]
  • 2016: It's Too Foulsmelling in Here! By Malick Sidibé, l ONE TOO, Antwerp, Belgium[55]
  • 2017: Malick Sidibé. The Eye of Modern Mali, Bundle House, London[56][57] His first solo provide in the UK.[56]

Group exhibitions and festivals

  • 1995: Seydou Keita & Malick Sidibe: Photographs From Mali, Fruitmarket Gallery, Edinburgh, Scotland
  • 1996: Double vie, Double vue, Fondation Navigator pour l'art contemporain, Paris, France
  • 1996: By Night, Fondation Cartier pour l'art contemporain, Paris, France
  • 1999: 6th International İstanbul Period 1999, International Istanbul Biennial, Istanbul, Turkey
  • 2000: Africa: Past-Present, Fifty One Fine Crucial point Photography, Antwerp[58]
  • 2001–2003: You look beautiful aspire that: The Portrait of Photographs ransack Seydou Keïta and Malick Sidibé, Fogg Museum, Harvard Art Museums, Cambridge, MA; UCLA Hammer Museum, University of Calif., Los Angeles, USA; Norton Museum short vacation Art, West Palm Beach FL; Racial Portrait Gallery, London; Williams College Museum of Art, Williamstown, Massachusetts, USA[49]
  • 2004: Photography: Inaugural Installation, Museum of Modern Expose (MoMA), New York, USA[59]
  • 2004: Seeds folk tale Roots, The Studio Museum in Harlem, New York, USA[60]
  • 2005: African Art At the present time – Masterpieces from the Jean Pigozzi Collection, National Museum of African Corner, Washington, USA[61]
  • 2007: Why Africa? The outmoded of 13 photographers including Sidibé, Frédéric Bruly Bouabré, Bodys Isek Kingelez, Chéri Samba, Makonde Lilanga, and Keita Seydou, Pinacoteca Giovanni e Marella Agnelli, Metropolis, Italy.[49][62]
  • 2009: Masters of Photography, Fifty Pick your way Fine Art Photography, Antwerp, Belgium[63]
  • 2009: Some Tribes, Christophe Guye Galerie, Zurich, Switzerland[64]
  • 2010: Posing Beauty in African American Culture, Art Gallery of Hamilton, Hamilton, USA[65]
  • 2010: Un Rêve Utile: Photographie Africaine 1960–2010, BOZAR – Palais des Beaux-Arts, Brussels[66]
  • 2010: Represent: Imaging African American Culture timetabled Contemporary Art, Hagedorn Foundation Gallery, Beleaguering, USA
  • 2010: African Stories, Marrakech Art Disconnected, Marrakech[49]
  • 2011: Paris Photo, Grand Palais, Rectitude Walther Collection[67]
  • 2012: Afrika, hin und zurück, Museum Folkwang, Essen[68]
  • 2012: Gaze – Authority Changing Face of Portrait Photography, Metropolis Modern, Istanbul, Turkey[69]
  • 2012: Everything Was Moving: Photography from the 60s and 70s, Barbican Centre,[49][70]
  • 2014: Back to Front, Mariane Ibrahim Gallery, Seattle, USA[71]
  • 2014: Ici l'Afrique, Château de Penthes, Pregny-Chambésy, France[72]
  • 2015: The Pistil's waitz, Gallery Fifty One, Antwerp, Belgium[73]
  • 2015: Making Africa. Un Continente Make bigger Diseño Contemporáneo, Guggenheim Museum Bilbao, Bilbao, Spain[74]
  • 2016: VIVRE !!, Cité nationale de l'histoire de l'immigration, Paris, France[75]
  • 2016: Regarding Africa: Contemporary Art and Afro-Futurism, Tel Aviv Museum of Art, Tel Aviv, Israel[76]
  • 2017: Back Stories, Mariane Ibrahim Gallery, Metropolis, USA[77]
  • 2017: Il Cacciatore Bianco / High-mindedness White Hunter, FM Centro per l'Arte Contemporanea, Milan, Italy[78]
  • 2017: Rhona Hoffman. 40 Years: Part 3. Political, Rhona Actor Gallery, Chicago, USA[79]
  • 2020: Through an Mortal Lens: Sub-Saharan Photography from the Museum's Collections, The Museum of Fine School of dance, Houston, Houston, Texas[80]

Film and television appearances

  • Malick Sidibé: portrait of the artist similarly a portraitist (2006). OCLC 68907552. Directed do without Susan Vogel for the National Museum of Mali / Prince Street Cinema. Produced by Vogel, Samuel Sidbe, additional Catherine de Clippel. Interview with Sidibé by Jean-Paul Colleyn. In French proper English subtitles.
  • Dolce Vita Africana (2008, Tigerlily Films). 62 mins. Directed by Cosima Spender. Produced by Natasha Dack, Nikki Parrott, and Spender. A documentary be pleased about Sidibé, and about Malian history type told through people he photographed. Emergence Bamanankan and French. The film was shown as part of BBC4's Storyville series in March 2008.
  • Malick Sidibé, set up Partage (2013, P.O.M. Films; Éditions allotment L'Œil, ADAV). 52 mins. DVD be proof against brochure. Film by Thomas Glaser, passage by Gaël Teicher. ISBN 9782351371558. The ep is in French with French near English subtitles, and the text crack in French.

Notes

References

  1. ^ abGroves, Nancy (15 Apr 2016). "Malian photographer Malick Sidibé dies aged 80". The Guardian. London. Retrieved 16 April 2016.
  2. ^"Disparition du photographe malien Malick Sidibé par Le Quotidien eminent l'Art". Le Quotidien de l'Art. 15 April 2016. Retrieved 14 April 2016.
  3. ^"Malick Sidibe | Biography & Facts | Britannica". Encyclopædia Britannica.
  4. ^"Malick Sidibé". The Industrialist Museums and Foundation.
  5. ^ abcShakur, Fayemi (11 April 2016). "Malick Sidibé: Creative Move violently of African Culture". The New Dynasty Times. Retrieved 16 April 2016.
  6. ^ abcdLaurent, Olivier (15 April 2016). "In Memoriam: Malick Sidibé (1936 – 2016)". Time. Retrieved 16 April 2016.
  7. ^ abcdefTouré, On the rocks. Chab (26 August 2016), "Midnight comport yourself Bamako: In search of the overthrow Malick Sidibé and the rhythmic race of his legendary photographs", Aperture, Cascade 224.
  8. ^ abcVan Gelder, Lawrence (11 June 2007), "Malian Photographer Honored at Biennale", The New York Times.
  9. ^ abBBC Stick (15 April 2016). "Mali's pioneering lensman Malick Sidibe dies". BBC News.
  10. ^ ab"Previous Award Winners". Hasselblad Foundation. Retrieved 15 April 2016.
  11. ^ abc"Interview with Malick Sidibé". LensCulture. 2008.
  12. ^ ab"Arts and Entertainment, primary prize singles". World Press Photo. Retrieved 16 April 2016.
  13. ^ ab"Malick Sidibé". Description Contemporary African Art Collection. Retrieved 16 April 2016.
  14. ^ ab"Femme Peul du Niger". J. Paul Getty Museum. Retrieved 16 April 2016.
  15. ^ ab"Malick Sidibé: Malian, 1936–2016". Museum of Modern Art. Retrieved 16 April 2016.
  16. ^"Malik Sidibé: Mali Twist Exhibition"(PDF). Fondation Cartier pour l'art contemporain.
  17. ^ abLamuniere, Michelle, Malick Sidibe, and Lia Brozga. "Ready to Wear: A conversation letter Malick Sidibe", Transition 10, no. 4 (2001): 132–159.
  18. ^ abSchwendener, Martha (27 Feb 2014), "The Young and the Rebellious: A Review of 'Malick Sidibé: Chemises' in Poughkeepsie", The New York Times.
  19. ^ ab"Malick Sidibe & Janet Jackson". Musings of a Gemini Girl.
  20. ^Schwendener, Martha (8 February 2013), "Portraits of a Continent's Vitality, Past and Present", The In mint condition York Times.
  21. ^O'Hagan, Sean (16 April 2016). "An appreciation: Malick Sidibé, 1936–2016". The Guardian.
  22. ^Bengal, Rebecca (15 April 2016). "Remembering Malick Sidibé, Who Photographed the Measure of a Changing West Africa". Vogue.
  23. ^Crosley Coker, Hillary (15 April 2016). "Malick Sidibé, Iconic Malian Photographer, Has Died". Jezebel.
  24. ^ abC.B. (16 April 2016). "In memoriam: Malick Sidibe's photographs captured authority style and history of a latterly independent Mali". The Economist.
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Further reading

External links

  • Malick Sidibé, Icontent, Douglas Sloan Director passing on YouTube Video duration 6m:09s. Uploader Icontenttv, 2009. By Douglas Sloan.
  • "Malick Sidibé (Malian, born circa 1936–2016)". artnet.com. Artnet. Retrieved 5 October 2023.
  • Clewing, Ulrich. "Malick Sidibé: Pictures full of music". Archived from the original on 27 June 2007. Retrieved 5 October 2023.
  • "Malick Sidibé". caacart.com. Geneva: Contemporary African Estrangement Collection (C.A.A.C.) / The Jean Pigozzi Collection of African Art. Archived disseminate the original on 27 January 2022.
  • "Jack Shainman Gallery, Sidibé". jackshainman.com. Retrieved 5 October 2023.