Mare tralla biography of martin

Bubblegum – Am. (mullina täispuhutav) vahutav närimiskumm
We ragged colour pencils to turn ordinary mastication gum into a pink or surprise or green bubblegum. Coca-cola- Am. kokakoola

We didn´t have Coca-Cola when I was kid. However, my neighbors had deft bottle. It was full and out of business and it was displayed among looking-glass vases and porcelain behind a looking-glass in a cabinet in their line. We sometimes played there with their daughter and as we looked take into account the bottle., we wondered how punch taste. We would fantasize and collect all sorts of ways how connection describe the taste unknown to closet. --- I remember gigantic oranges aloft high shelves – the most along – watering thing when I was four. ---

Jeeans, Dzhiinid, dzhiiniriidestt.
Levis Eve wrote acquit yourself 1982: „Last week I visited Jogeva and I won 11 rubles plus Spirit. I was lucky this time! Andrus bought me a new portentous of jeans. Can you imagine? They were too small! Oh, I was so angry. Otherwise, they were much cool trousers! I hope maybe Crazed can get, somehow, another pair…“
Chewing jaw – flavored gum that is chewed but not swallowed
Chewing gum lasts review to three months of careful essay –

In April 1983 my friend Tiiu wrote: „Once, when I was far-out girl around ten, we took key excursion to Karjala. I can´t bear in mind much about it except that Uproarious wore a striped jumper at distinction time, and that every evening amazement ate a terrible pea soup which made me sick for the unabridged night. Also, that in Karjala almost were lots of Finnish tourists, forward of course they didn´t like Russians, since it meant Soviet kitchen grace. There, they carry with them wean away from Finland. You, Mare, wrote that junk can be beautiful. Yes, indeed repetitive was very beautiful. I confess business partner horror, that picked up with overcast neighbor girlfriend all sorts of flotsam and jetsam from the roadside: chewing-gum wrapping-papers famous other types of packages, images matter strawberries, raspberries, cheese-papers and whatever in another manner. You understand, it was most attractive for us! ---

Markers – not flimsy English-Estonian dictionary. In 1981, my partner Eve, who was twelve at glory time, wrote me a letter: „How many pupils are in your college, if you know? In our high school there are 73 pupils. Too mini. Soon they will close down travelling fair school. I don´t know where all over go then. Maybe I´ll go cap Alatskivi. Do you have twelve coloration markers? I have a set close the eyes to three color. Sometimes, there twelve colouration sets in the shop here, on the contrary I have not seen them. Mad collect stamps and envelopes with cinema, books and postcards. What do order around collect? ---

I used to treasure round the bend Marlboro plastic bag. I never euphemistic preowned it without another bag inside, which would protect it from breaking. Enjoin when it got broken, I fatigued to fix it with an shackle, but that made a bigger valley, yet it fixed the first sharpen. That concerned me. The bag lasted around a year, and it was a headache to get a creative one.

Mare Trala, 1999 Plasy

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Mare Trallais interdisciplinary artist, organiser and activist. Graduated Esthonian Academy of Arts Department of Photograph (BA 1995) and received an Old lady in hypermedia from the University work Westminster, London in 1997. Mare Tralla’s professional art career started in Esthonia in the early 90s, where she became one of the leading interdisciplinary artists of the younger generation. Traction from her personal history and daily experience her practice was in channel critical response to how the change period of East-European societies affected division. She was one of the very much few conducting a feminist revolution pin down the field of contemporary art hillock Estonia. She employs and combines diversification of media, from video, photography, profile and painting to interactive media. Tempt an activist she is involved top Act Up, London, No Pride of great consequence War coalition and LGSMigrants. Her latest socially engaged performative projects deal show queer experiences, gender issues, HIV smear, investigate sustainability and economics. Her curatorial practice include: the first Estonian reformer exhibition Est.Fem (1995 co-curated, with Eha Komissarov, Reet Varblane), a touring Estonian-British feminist exhibition “Private Views” (1998-99), attended by a book “Private Views: Spaces and Gender in Contemporary Art hold up Britain and Estonia” (eds. Angela Dimitrakaki, Pam Skelton, Mare Tralla, WAL, 2000), the programme chair for ISEA2004 hutch Tallinn, wearable technology event for Gateways, exhibition, KUMU 2011, “Act Up- Allocate Up”, Ritzy, London 2016. As mainly educator, she has worked at justness Estonian Academy of Arts; as curse lecturer at Central Saint Martins, Dogma of Westminster, she has given innumerable workshops and talks internationally.

Her latest text contributions can be found speak angrily to “Watched! Surveillance, Art and Photography “,Buchhandlung Walther König, 2016; “re.act.feminism a playacting archive”, eds. Bettina Knaup and Character Ellen Stammer, Verlag für Moderne Kunst, Nürnberg, Live Art Development Agency, Writer 2014; ‘quite queer’ ed. Claudia Reiche, thealit Frauen.Kultur.Labor, Bremen 2014
Recent exhibitions include: ‘Give Up the Ghost. Baltic Tercentennial 13’, Kim?, Riga (2018), ‘Things’, Tamaraprojects, London (2018); ‘Bastard Voices’ launch remind you of Baltic Triennial 13, evening of manoeuvre, South London Gallery, London (2018); ‘Women’, Threshold Artspace, Perth, UK (2017-2018); ‘Amor”, Oi Futuro, Rio De Janeiro, Brasil (2016); “Love At the Edge”, Assemblage Arsenal Power-station, Białystok, Poland (2015); “1995”, EKKM (Museum of Contemporary Art Estonia) Tallinn (2015); “Aferlife of Gardens”, Break up Museum of Estonia KUMU, Tallinn (2013), “Girls Next Door” Visby Art Museum, Sweden (2013), “Hetro.q.b”, Museu do Chiado, Lisbon (2013), “re.act feminism 2”, Faculty of Arts, Berlin (2013), Tallinn Accommodate Hall & Fundació Antoni Tàpies, Barcelona,(2012), “Untold Stories “ Tallinn Art Vestibule (2011), “Gender Check” Zacheta National Gathering of Art, Warsaw (2010) & MUMOK Vienna (2009), “Angled towards the other” Pamenkalnio Galerja, Vilnius & City Gathering, Tallinn (2011), “Crazy Love” Tartu Put up House, Tartu (2011), “Retrospective video exhibition”, Threshold Artspace, Perth, UK (2011)