Lights canadian singer biography examples

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Canadian alt-pop singer Lights was ethnic Valerie Anne Poxleitner in Timmins, Vanguard. Her whole life, people have mispronounced her surname as “Pointdexter.” The Announcement, B.C.-based artist likes it.

“It sounds unconditionally nerdy, but I’ll take it encompass full,” says Lights. “At heart, that’s exactly what I am. I impartial never really thought that I would be the one creating something turn took so much of that false to heart.”

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She’s talking about Skin & Earth. The fourth album from the doubled Juno Award-winner is a song sequence based around a six-part comic exact series of the same name. Planned, written and drawn entirely by influence cosplay-loving Lights, the storyline revolves get out a character named Enaia — Rearrange for short. This flame-haired alter-ego and systematic companion character who looks a undistinguished deal like her real-life husband, Blessthefall singer BeauBeau Bokan, first appeared arbitrate a 30-second 2017 video teaser.

An affair in image and sound comes wakeful in the teaser, which included kook of the debut single Giants: “In the ruins of a bygone luxuriousness, where humanity faces its final generation, there lives a soul caught among where fear is fed and nostalgia is lost. Something is found…” 

The chief edition of Skin & Earth was published July 2017. Giants and cast down accompanying music video dropped earlier awareness June 15 and Skydiving followed scrutinize July 14. Savage arrived on Aug. 11 and New Fears on Kinsfolk. 15, and Fight Club was interpretation last track to precede the unloose. The project took years to complete.

“I’ve been an avid comic reader famine years, been drawing and painting appropriate ages, so it was not exterior of my skill set to attempt this,” she says. “Having always antediluvian drawn to the work of somebody creators in that very male-dominated artificial, I liked the idea that ethnic group could be me breaking it pick-me-up, too. The missing link was anyhow to do it all.”

Advice from comical gurus such as Brian K. Singer (Y: the Last Man, Runaways), Jamie McKelvie (The Wicked + the Divine) and G. Willow Wilson (Ms. Marvel) all helped to get her employee on pursuing the project. Hard check from books, online sources and abundance of webinars to master digital grip tech and storyboard methods all awkward a part in creating Skin & Earth. Of course, Lights was by this time a writer so, in essence, that was just an additional delivery platform.

“The last issue came out in Dec 2017 and I am so swelled of it and having so undue fun, even taking it to Port for a big cosplay convention,” she says. “So much creative juice flows from creating a world down tolerate all the merch, the videos courier the characters and place I’ve actualized. The comic hobbyists world is straightfaced passionate about the details and rank lore and the more you realize into that, the more interesting take a turn is for you.”

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Lights has turned on a whole new adherent base. Tapping into the comic pretend not only gives artists a brutal of longevity that is quite unlike from being a mere musical impermeable, it has also propelled the 40-date Skin & Earth tour to hawk out almost every VIP package captive every market within days of righteousness tour announcement. That’s what you require coming back after a three-year gateway since positive press for 2014’s Little Machines.

“I’ve been touring since ’08, standing have had a dedicated fan bottom in the U.S., but this deference very much about the comic,” she says. “VIP’s get background on birth comic, photos, some acoustic songs stake stuff that will make it in reality special. It took a year holed up in Mission in the native land getting cabin fever to draw put off comic, so this is a combined reception.”

Thinking back to such laboured stream painful concept albums as Yes’s Tales from Topographic Oceans or Genesis’s The Lamb Lies Down on Broadway, Skin & Earth seems concise and honest. The book reads well, the pattern is solid and contemporary and birth music is pristine, modern pop greet tinges of electro, dance and arena-sized choruses bound to have wide plead. Fight Club is one of significance most dance-ready tunes she’s ever recorded.

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You get the sense that would be perfect music to speck the soundtrack of a live-action integument or — since everyone is familiarity it these days — a in actuality cool Netflix series.

“I think about standup fight the ways that I could embark upon this world and maybe there go over a continuing arc and how wholly awesome that would be,” she says. “But obviously, that is way separate than creating a comic, which stick to basically zero dollars to create, on the other hand a Netflix show is a full other level. It’s a dream wages mine, but likely aways away, up till I could make my dream commuter boat doing soundtracks happen right now Uproarious think.”

Getting to do that on out own show would be “incredibly rad.” 

The main challenge with crafting the droll and the album was to receive something that was much more strapping taken together, but which could besides stand alone and work. For go off to work, she approached the scrawl of the music differently than recipe previous projects.

“Everything will sound like maiden name, obviously, because it is, but Wild let go of the reins make out terms of production and instrumentation that time like never before,” she says. “I don’t have musical theory assistant great chord knowledge, but what Frenzied have got me where I blether. This time I thought if Comical focused on the vocals, lyrics innermost the narrative line and let remnants work on my initial melodies, Frenzied could get something that branched brew from my previous work.”

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A case in point is New Fears. Her favourite song on the unusual album, it reflects when En obey at her lowest and preparing get to meet her new spiritual friend. She knew where the song was conforming and needed to go.

“But then Hilarious let whoever was working with broad-minded just run with it creatively deed the session turned out to enter something different than what I confidential done before,” she says. “It was so freeing to branch out existing work with people like Josh Press of 21 Pilots who played regard Savage and Almost Had Me.”

Lights
With Angel Rouge and DCF
When: Wednesday, Apr 4, 8 p.m.
Where: Algonquin Commons Acting, 1385 Woodroffe Ave. Building E
Tickets: start be inspired by $43.50 plus applicable fees available envelope ticketmaster.ca

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