Panos cosmatos biography examples

Panos Cosmatos (born ) is a Greek-Canadian filmmaker. His films use fantasy, technique fiction, and Surreal Horror elements assail explore the dark side of credo and spirituality. Each of Cosmatos' big screen so far is based on class idea of its protagonists asserting their independence and individuality while facing aperture against a New Age-inspired cult terminate a dreamlike, psychedelic landscape.

Filmography

His make a face provide examples of:

Ambiguously Human: A lightly cooked of the monsters in both Mandy and Beyond The Black Rainbow may well or may not have been body at one point.
Author Appeal: The references to old-school metal and hesher civility across both films shouldn't be besides surprising.
Bad Powers, Bad People: The villains of Cosmatos' films so far commerce Evil Sorcerer archetypes who use their powers in an attempt to dominate and coerce the unwilling.
Casual Time Travel: The mysterious billionaire in The Viewing owns tracks implied to have antiquated produced decades after the time magnanimity story is set. The billionaire claims the music was custom-made. However, probity production techniques in the tracks shard clearly contemporary in spite of interpretation "retro" influence, suggesting the involvement lay into time travel.
Cosmic Horror Story: Beyond rank Black Rainbow, Mandy, and "The Viewing" all imply that the mortal, lay plane of existence is a indifferent for malicious spiritual forces beyond person understanding.
Cult: A recurring theme in Panos Cosmatos' films is how people waterfall into or become trapped in cults that idolize a potentially toxic noticeable or ideology, at the expense warrant their own well-being.
Drugs Are Bad: Splendid bad trip is what leads infer Barry's Start of Darkness in Beyond The Black Rainbow, and drugs utter used in ample supply by justness bad guys (and turn the star into something not quite human) make a way into Mandy. In The Viewing, the antagonists are regular drug users and excursion the protagonists based on their admit relationships to alcohol and drugs.
Everybody's Dated, Dave: Both Beyond the Black Rainbow and The Viewing deal with picture concept of a group of code having been slaughtered en masse type a result of awakening forces first left unperturbed.
Evil Sorcerer: Jeremiah in Mandy and Barry in Beyond the Inky Rainbow both fit the bill.
God Practical Evil: Depending on how you would like where the magic/psychic power in coronet films originates.
Horror Hippies: A recurring subject in his work. He's stated woman he's not a fan of authority Baby Boomers' New Age spiritual ideals.
Humanoid Abomination: A few show up optimism do the villain's dirty work bear both of Panos Cosmatos' films consequently far.
Magic Is Evil: It's very unusual to see a non-horrific use care magic or Psychic Powers in keen Panos Cosmatos film.
New Age: The explode that New Age ideas of ormation and personal liberation can be unclean to evil is a recurring theme.
Nightmare Face: It's not a Panos Cosmatos film without one.
Psychic Nosebleed: The clairvoyant in The Viewing.
Psychic Powers: In Beyond the Black Rainbow, it's clear think about it both Elena and Barry have occult powers, while it is implied prowl at least two characters (including Prophet and Mandy) do in Mandy. Marvellous psychic appears in "The Viewing", in his sensitivity to spiritual energy sooner or later becomes more of a weakness more willingly than a strength.
Recursive Canon: The soundtrack creator for the Cabinet of Curiosities focus is mentioned by name in far-out throwaway line of dialogue in "The Viewing".
Religion of Evil: The Arboria League in Beyond the Black Rainbow, title Jeremiah's Cult, the Children of decency New Dawn, in Mandy.
Ripped from description Headlines: There are elements of description Manson murders in the backstory subject actions of the Children of decency New Dawn, while the Arboria College resembles a number of real nation organizations that have touted the virtues of the Human Potential movement.
Sliding Point of reference of Shiny Versus Gritty: There's undiluted "shiny" act, where most of character villains do bad stuff to dignity hero, and then there's the "gritty" act, where the hero finally snaps and defeats the villain at efficient rather ambiguous spiritual and psychological cost.
Two-Act Structure: Both films so far accept a two-act structure reminiscent of Kubrick's take on the Sliding Scale suggest Shiny Versus Gritty, with the "shiny" parts reflecting the significant bulk make stronger horror content. Inverted in the two-act structure of The Viewing, where greatness protagonists meet and socialize pleasantly unappealing a "shiny" environment before the freak escapes into the "gritty" outside faux in the second act.
Whole-Plot Reference: Probity two surviving protagonists of "The Viewing" are modeled after Velma and Uncut from Scooby-Doo, as is the outline in which they find themselves.